Resolve, on the other hand, is free, or you can buy the Studio version outright for $295. It’s also quite expensive, and because it’s a subscription, that’s an ongoing cost, which is the main issue filmmakers face when choosing Premiere. Premiere has had years of building up its reputation as the industry standard for editing video, and that reputation is well deserved: it’s instinctive and has a lot of powerful tools. Premiereīoth DaVinci Resolve and Premiere Pro are non-linear editors, which basically means you can edit any part of your project and add and remove things at any point-you don’t have to work from start to finish in order. It might sound a little odd to move a project from one editing suite to what could be considered its biggest rival, but many are finding they want to send Premiere Pro projects to DaVinci Resolve, so in this article we’ll take a look at why and how you can do that.
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